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Ad network – what is it?

Ad networks serve as intermediaries connecting advertisers with publishers or websites that offer valuable ad impressions. Their primary role is to gather ad inventory from publishers and align it with the advertising needs of advertisers.

What exactly is an ad network?

At its core, an ad network acts as an intermediary, serving as an online advertising platform that facilitates the exchange of ad space between publishers and advertisers.

In the early days of the internet, ad networks primarily helped publishers sell their surplus ad space. In today’s digital landscape, where much of our activities occur online, ad networks have become a fundamental component of the programmatic advertising ecosystem.

How ad networks work?

Ad networks play a dual role, benefitting both publishers and advertisers. Publishers utilize ad networks to locate buyers for their unsold ad space, while advertisers rely on ad networks to identify suitable inventory that aligns with their budget and target audience.

Here’s how it works:

  1. Publishers integrate the ad network(s) of their choice into their platforms.
  2. Advertisers set up their advertising campaigns through their preferred ad network(s).
  3. Advertisers configure various campaign parameters, including budget, targeting criteria, and frequency caps.
  4. Based on the advertiser’s specified criteria, the ad network determines the most suitable publisher for their ad and facilitates the connection between the two parties.

Types of advertising networks

Thankfully, advertisers and publishers have a range of network options to choose from, allowing them to select the one that best aligns with their requirements. Your target audience, the type of ads you plan to use, and your budget will all influence your choice of network.

There are four primary types of advertising networks to consider, and understanding what each type offers can simplify the decision-making process:

  1. Horizontal advertising network – a horizontal ad network provides access to a vast inventory, offering advertisers extensive reach and scalability. These networks are appealing due to their ability to reach a wide audience and provide numerous targeting opportunities.
  2. Premium advertising network – premium ad networks cater to publishers who demand a premium price in exchange for exclusive access to their inventory. These networks exclusively collaborate with top-tier publishers and are highly selective in choosing their partners.
  3. Vertical advertising network – vertical ad networks connect niche advertisers with relevant publishers, allowing unconventional advertisers to reach their unique audiences more effectively. This type of ad network offers transparency regarding ad placements, ensuring advertisers know where their ads will be displayed.
  4. Specialized advertising network – similar to vertical ad networks, specialized networks focus on specific types of inventory. For instance, they may exclusively handle video or mobile ad formats, offering tailored solutions for specific advertising needs.

Advantages and benefits of ad networks

If you’re an app developer, you should know that ad network presents a substantial monetization opportunity for you as a publisher.

Alternatively, if you’re an aspiring advertiser, an ad network can assist you in effectively showcasing your promotions to the right audience. Ad networks serve as invaluable intermediaries, facilitating revenue generation for publishers and aiding advertisers in crafting lucrative campaigns.

Furthermore, with the projected market volume expected to reach $641 billion by 2026, capitalizing on the monetization of your apps becomes an obvious choice.

The integration of ad networks into your digital marketing strategy brings forth a multitude of advantages. Foremost among these is the ability to monetize your app, allowing you to claim a slice of the vast global marketing landscape.

For both publishers and advertisers, these benefits are not only compelling but also come with the added advantage of generating income from your app.

Ad networks benefit for publishers

  1. Quick income – ad networks offer a rapid route to income. Once your website is up and running, and you’ve joined one or more ad networks, you can start earning money immediately. Ad networks provide a convenient solution for publishers seeking quick revenue to cover operational expenses. Even if your operational costs are minimal or not a concern, ad networks enable stress-free and on-the-fly profit generation.
  2. Broadens audience reach – to thrive in the expanding app market, it’s essential to monetize a diverse audience segment, and this is precisely what ad networks facilitate. Advertisers often specify the types of audience and traffic they want to target. For instance, if an advertiser aims to reach American visitors, a site focused on a domestic audience is ideal. However, this approach limits your income potential when targeting the global market. Ad networks complement instantly sold premium ads, making them accessible to a broader range of visitors, thereby expanding your app’s monetization potential.
  3. Attracts a variety of advertisers – ad networks deliver high-quality and precisely targeted ads because they aim for optimal performance on your site. By offering a wide array of ad creatives to your visitors, you can potentially increase both “views and clicks,” boosting your income prospects.

Ad networks benefits for advertisers

  1. Expands audience and publisher pool – advertisers often place restrictions on the types of audience and traffic they wish to target, which can limit their impressions. Collaborating with an ad network allows advertisers to expand their pool of publisher partners, consequently broadening their reach to a larger audience, all within a predetermined budget.
  2. Enhances return on Investment (ROI) – ad networks employ precise matching techniques, enabling advertisers to select the most profitable deals available to them. This strategic approach results in an increased return on investment for advertisers.

Ad networks within the programmatic advertising ecosystem

The programmatic advertising ecosystem involves the automated buying and selling of digital advertising space, connecting advertisers with the ad exchange and the valuable impressions they seek.

This ecosystem operates through real-time bidding (RTB), demand-side platforms (DSPs), supply-side platforms (SSPs), and data management platforms (DMPs).

It’s important to distinguish between these two concepts: ad networks and the programmatic ecosystem. Ad networks are manually managed and require human intervention. Typically, a manager is responsible for approving ad creatives and configuring campaigns.

As programmatic advertising continues to advance, there is potential for ad networks to become obsolete in the future. Although ad networks fall under the programmatic direct category rather than the programmatic advertising ecosystem, they are often mistakenly conflated with other components of the ecosystem.

Ad network vs. ad exchange

An ad exchange is a digital marketplace for programmatic advertising. Ad networks manage digital inventory from numerous publishers or purchase bulk ad impressions from the ad exchange and then resell them to advertisers.

On the other hand, ad exchanges are the more transparent and efficient means of buying and selling digital advertising. The ad exchange uses algorithms, permitting publishers to get the best prices for their impressions.

At the same time, advertisers can reach target audiences at the right moment and with the appropriate context, in place of negotiating buys directly or manually with publishers.

In short, exchanges allow advertisers to buy ads across a spectrum of mobile apps, mobile websites, and regular websites at once.

Ad network vs. DSP vs. SSP

DSPs and SSPs are parts of the programmatic ecosystem and employ real-time bidding technology. Most ad networks are still completely manual and would need a DSP to participate in RTB and programmatic media buying.

Demand-side platforms allow advertisers to manage their campaigns across multiple RTB networks (instead of just one) and allow advertisers to buy and manage video mobile and search ad inventory.

DSPs connect with supply-side platforms to enable programmatic advertising, while SSPs help publishers list their available impressions/advertising inventory.

An ad network, on the flip side, is an intermediary and an aggregate that relies on human intervention instead of machine learning and algorithms.

Ad network vs. ad server

The best way to recognize the difference between an ad network and an ad server is to understand that an ad network uses/employs an ad server.

An ad server is a technology that allows advertisers to place their ads on specific sites or apps and also enables publishers to manage these ads properly. An ad network employs this technology (ad server) to manage ads and available publisher inventory.

How to choose the right ad network?

There are so many ad networks to choose from that it can feel overwhelming. However, if you consider the following four things before your search begins, choosing the right ad network can actually feel kind of painless.

How extensive is the network? Whether your site is niche or global in reach, consider this question. The more advertisers that can bid for your inventory, the greater the potential to sell those valuable impressions at higher prices.

Think about it. An extensive publisher inventory indicates an ad network with more opportunities to match ads to websites appropriately. This is known as CTR or contextual targeting which is the process that matches ads to relevant sites in the Display Network based on linguistic elements like topics and keywords.

In addition to offering better contextual targeting, a larger pool of advertisers also means that a greater number of geographical locations are represented. Ultimately, this reduces the chances that you’ll be left with unsold inventory — and that goes for both publishers and advertisers.

Does it offer a variety of formats? Even if you are unsure which formats you may need — look for an ad network that offers a variety of ways to display ads. Then you can test and adapt over time.

When it comes to ad performance — one size does not fit all. An ad network that offers multiple ad formats (rich media, video rolls, interstitials, etc.) optimizes the monetizing potential of both the publisher and the creative.

Can it compete with RTB or programmatic advertising? Since the programmatic ecosystem challenges legacy ad networks’ long-term viability, publishers must understand the value of automatic ad buying and selling, particularly before considering an ad network and committing to one.

Programmatic buying and real-time bidding help publishers earn more money. Legacy ad networks definitely cannot keep up. Therefore, it’s more than essential to understand what technologies an ad network offers or can integrate with before deciding to commit to one.

Popular ad networks for publishers and advertisers

Now that you know what to look for in an ad network, here are 10 of the most popular ad networks:

Popular ad networks for publishers

Ad tech is growing, and for publishers that want to use it to their advantage and generate more income, here are some prominent ad networks for you:

  1. Google AdSense
  2. Facebook Ads
  3. Media.net
  4. AdThrive
  5. Amazon Associates
  6. Ezoic
  7. Sovrn (formerly VigLink)
  8. Infolinks
  9. Revcontent
  10. Taboola
  11. Outbrain
  12. Pubmatic
  13. ShareASale
  14. Bidvertiser
  15. BuySellAds
  16. AdCash
  17. PropellerAds
  18. MediaVine
  19. AdBlade
  20. AdRecover
  21. AdMaven
  22. Sovrn Commerce (formerly Skimlinks)
  23. AdPushup
  24. Adform
  25. Adyoulike

Popular ad networks for advertisers

If you have high-quality ads that entice, these are some of the most popular ad networks for advertisers:

  1. Google Ads
  2. Facebook Ads
  3. Instagram Ads (part of Facebook Ads)
  4. Apple Search Ads
  5. Spotify Ads
  6. AdRoll
  7. Facebook Ads
  8. TikTok Ads
  9. Twitter Ads
  10. LinkedIn Ads
  11. Pinterest Ads
  12. Snapchat Ads
  13. YouTube Ads (part of Google Ads)
  14. Microsoft Advertising (formerly Bing Ads)
  15. Amazon Advertising
  16. Taboola
  17. Outbrain
  18. AdRoll
  19. TikTok Ads
  20. Pinterest Ads
  21. Reddit Advertising
  22. Quora Ads
  23. Yelp Advertising
  24. Criteo
  25. Verizon Media Native Ads (formerly Yahoo Gemini)

Key information about the term “ad networks” to remember

Unfortunately, ad networks are not evolving as fast as the programmatic advertising ecosystem. Because of that, there are important things to remember if and when you are considering an ad network:

  • An ad network is an aggregator of publisher inventory and a mediator between publishers and advertisers.
  • There are four major types of ad networks: horizontal, premium, specialized, and vertical.
  • While not as viable as programmatic, there are still major benefits for both publishers and advertisers that employ ad networks.
  • Ad networks still require human intervention as opposed to the programmatic ecosystem, which relies on machine learning and algorithms.
  • Before committing to an ad network, it’s important to consider how extensive it is, the variety of formats it offers, and if it can compete with RTB.

Time of inactivity

The term “time of inactivity” refers to the duration since a user last interacted with an app. It holds significant importance in identifying and categorizing inactive users based on how long they’ve been inactive. This categorization helps in executing effective re-engagement campaigns.

Why is “user” significant?

Re-engagement campaigns, whether through push notifications or in-app retargeting ads, offer a chance to remind inactive users of the app’s value. By delivering personalized and relevant messages to these users, an app can reinforce its unique benefits and prevent users from churning or abandoning the app.

To maximize the effectiveness of re-engagement efforts, it’s crucial to tailor the messaging and include deep links. This ensures that users not only click on the ad but are directed to the relevant section within the app to complete desired actions upon re-engagement.

Let’s consider some practical examples:

  • Time of inactivity – 2 Weeks If a user has been inactive for just two weeks, they might simply have been occupied with real-life activities. In such cases, a gentle reminder of the app’s unique offerings can suffice. The message could acknowledge the two-week inactivity with something like, “We’ve missed you in these past two weeks.”
  • Time of inactivity – 2 Months For users inactive for two months, a persuasive approach might be needed. Offering a discount or a special deal can help reignite their initial enthusiasm for the app.
  • Time of inactivity – 6 Months When a user has been inactive for up to six months, it’s advisable to communicate any new features and added value that the app has introduced since their last interaction. This can help rekindle their interest in the app.

Monitoring and categorizing users based on their time of inactivity is a fundamental aspect of user engagement strategies. It allows app developers and marketers to customize their re-engagement efforts, ensuring that messages and incentives are appropriately aligned with the user’s level of inactivity. Furthermore, the time of inactivity can vary from one app to another, making it essential to analyze user behavior and preferences within specific contexts.

Effective re-engagement campaigns not only encourage users to return to the app but also contribute to user retention and long-term app success.

Did you receive emails from COPYTRACK claiming you used the photo illegally? Do you have to pay it?

And is legit or scam? Did Copytrack send you a warning letter? Have you been warned by Copytrack? Did you get an email or correspondence from them? Are they asking you to pay hundreds or even thousands of euros for a photograph usage?

When individuals receive an email from Copytrack, they wonder whether they really have to settle the claim. The communication from Copytrack often present claims that can run into hundreds of euros, leading many to believe they have no other choice than to pay the fee they wanted. In fact, however, it is often the case that many of the website operators/owners do not have to pay anything. In many situations, website operators aren’t responsible and, thus, are not obligated to pay the claimed amounts.

Furthermore, even when someone is genuinely at fault for a copyright infringement, challenging Copytrack’s claims can be beneficial. There’s often a possibility to significantly reduce the costs.

Over the years, numerous cases have emerged where people have successfully take action against Copytrack’s  claims, always keeping both their legal rights and financial interests in focus. It’s crucial to understand what are you legal obligations. There are actual quite a lot of attorneys who focus just on these claims (how to defend against Copytrack claims)

Understanding Copytrack emails – a quick overview

  • Keep calm! First and foremost, take a deep breath. While receiving a warning letter can be stressfull, it’s essential to understand the context. Many people received Copytrack’s warning letters and there are a lot of people who normally legally bought images via Adobe Stock or via any other service. As these emails are sent by robot and without proper check of anything, there is high chance, that you do not have to pay anything at all.
  • Do not sign anything! Do not call Copytrack! It’s better not to sign any settlement or documents with Copytrack, especially if it’s associated with Robert Fechner, without seeking counsel from a legal expert first (there is only reason why to do that – your lawyer told you to do so – which is very unlikely if he is good and well oriented in copyright law and court cases connected with copyright law) . Such contracts can have long-term implications and could further complicate your situation. Also avoid any phone calls which could be recorded which could make your situation even more difficult if you will try to find legal representative afterwards (you may say something which will be then hard to deny in possible court case – if there will be any, which is again very very unlikely). Also, it might be best to avoid direct communication with Copytrack until you are fully informed about your position or after you seek the legal advice.
  • Seek expert legal advice. For those who find themselves entangled in this situation, many legal professionals offer initial consultations free of charge to provide insight. A single conversation can often clarify most of the doubts and concerns surrounding Copytrack’s notices.
  • Royalties due? Think twice before paying the asked amount! Though some of Copytrack’s warnings might be valid, the financial claims often seem to be on the higher side. An uninformed or hasty reaction could inadvertently increase your expenses. It’s reported that many individuals end up paying far less than the initial claim, if anything at all. The main important part here is they try to use the most expensive license which you will not normally use at all (if you are small or mid-size company). As they try to charge the image as royalty (Right-managed licence), which is in most cases not the license you will not normally use. This license is most expensive because you when you buy it for specified time frame and medium and region it is not possible for other companies use same image (it should ensure that two companies do not use same visual in same time/campaign – which is as you probably understand – not required for your website image where you buy from photo banks royalty-free images. You can also learn more about image licensing in my previous article: Image Usage Rights – A Comprehensive Guide for Beginners.

Why companies use for royalty-based images licenses despite higher costs

Royalty-based image licensing, often referred to as Rights Managed (RM) licensing, involves paying fees based on how an image is used. The cost can be influenced by factors such as the duration of use, geographic location, medium (e.g., print, digital), and the scale of the distribution. At first glance, it might seem illogical for companies to opt for this model given the potential for higher costs, but there are several compelling reasons:

  1. Exclusivity: One of the primary reasons companies choose royalty-based licenses is the exclusivity it can offer. This ensures that the image won’t be used by competitors in a similar context, giving the brand a unique visual presence.
  2. Customizable licensing terms: Rights Managed licenses can be tailored to specific needs. For example, a company can secure rights for a particular region, medium, or time frame. This customization ensures that they only pay for what they require.
  3. Higher quality and unique content: Royalty-based collections often feature higher quality images or content that is more niche and specialized. These images are typically produced by professional photographers with a keen eye for detail and composition.
  4. Clear usage tracking: Royalty-based licensing provides clear documentation of where and how an image is being used. This can be crucial for brands that need to monitor their image usage meticulously.
  5. Legal protection and assurance: With royalty-based licensing, companies often get more comprehensive legal protection. They can be more confident about the image’s provenance, reducing the risk of copyright infringements.
  6. Budget allocation: Some large companies allocate a considerable budget for marketing and branding. For them, the assurance of quality and exclusivity outweighs the cost factor.
  7. Reduced overuse: Given that these images come at a higher price, there’s a reduced risk of them being overused in the market. This ensures that the imagery associated with a brand remains fresh and distinctive.
  8. Specific audience targeting: Some campaigns are designed for very specific audiences or regions. Royalty-based licenses can be customized to cater to such precise needs, ensuring that companies pay only for the exact usage they need.

In conclusion, while royalty-based image licenses might be more expensive upfront, they offer a range of benefits that can justify the investment, especially for brands aiming for exclusivity, high quality, and customizable usage terms.

Defend yourself against Copytrack!

The best answer is to provide the licence if it is easy for you to get it. In case you think you did not find the license, the easiest way is simply to delete the image from your website. As to be honest none court would approve Copytrack demand for paying wrong license costs (which are produced automatically by their software). So even if that will get to the court, they will have to pay full amount or partial amount of legal expenses/costs.

So imagine the court will rule that the image you did not buy is not worthy 350 euros, but just 10-15 euros (which is common price for one photo without regular subscription account). So it is like 95 % difference and in same way the Copytrack company will have to pay the legal costs (even yours probably). For sure – some court decision can be like – you have to pay some extra fee penalty from the final price (so you will pay the 200 %), but from the normal licence you will buy for web usage (royalty-free = of the 15 euros x 2 = 30 euros). So the result will be same = they will have to pay partial or full legal costs ((just for their company or in the best case – even yours) and even if they win they will get 20-40 euro probably and have like legal costs in thousands of euros. So from financial/business point of view, they will get to the bankruptcy soon if they will handle each case in that way. Same thing is with validating of the licenses (as most of the Copytrack’s court cases would be lost for sure if they are not trying to sue someone who has valid licence = again high legal costs for Copytrack).

I regularly receive around 5-10 emails every single year even though I bought the images legally from the Adobe Stock or from other photo banks. Is that scam? Legally maybe no, but I have personally different opinion. I don’t even reply to their emails as they are simply completely irrelevant and I would not do anything else than just reply to robotic emails. Up to today’s date no court case was even started from their side…

There are more companies who simply built their business on rather dubious grounds like Copytrack. I mean – it is OK to pay for images/to content creators as otherwise there will be no new content/no new photos. But the way how these companies is trying to demand legal action from to people who in most of the cases do not know they did anything wrong, is stupid.

I mean if you want to catch “thieves”, you should not act like a thief yourself or use dubious practices which are very close to scam/fraud techniques.

Below you can find the most important questions and answers about a claim from Copytrack you should know.

Most frequent questions and answers about a claim from Copytrack

Is an email or invoice from Copytrack a scam, rip-off, or fraudulent?

The answer is unfortunately no. Emails or invoices from Copytrack must be addressed seriously. They represent photographers, image agencies, publishers, and e-commerce providers, and they are quite familiar to us.

I’ve received a reminder, a complaint, or a temporary injunction from Copytrack. What should I do now?

You must address any communications from Copytrack promptly. Be sure to pay attention to the deadlines mentioned in their notices.

What is Copytrack?

Copytrack is a Legal Tech IT startup founded in 2016. Its primary mission is the automated tracking of copyright infringements. The platform allows professional photographers, image rights holders like publishers or online shops, and even amateur photographers to register and upload their photographic content. Using image recognition software, Copytrack scans the internet for these specific images.

If a match is detected, the photographer or rights holder is notified and can determine if it is indeed their image and if its usage was unauthorized. If an infringement is confirmed, Copytrack contacts the individual or entity responsible for the website where the image appeared.

While Copytrack claims to offer its services for free, they do take a commission. Specifically, if they successfully recover a claim for payment, the startup charges a 30 – 45% commission based on the claim amount.

What is outlined in a Copytrack warning letter?

Copytrack routinely sends out numerous warning letters, often across borders. Unlike traditional warnings for copyright infringements, Copytrack primarily demands compensation or royalties. Those warned are presented with an option to purchase an expensive license. From our observations, the compensation claims align with the rates specified by the Mittelstandsgemeinschaft Foto-Marketing (MFM) for photo usage. However, these rates are frequently difficult to enforce and this calculation model then quickly leads to absurdly expensive claims for damages at the expense of the warned.

The documentation provided by Copytrack indicates that they also have the authority, granted by their clients, to seek injunctive relief. Yet, Copytrack typically refrains from enforcing a preliminary injunction alongside their warning.

This Berlin-based IT startup does not request legal fees. Their warning process is mostly automated and initially proceeds without any legal intervention. So basically to say – the whole company Copytrack trying to create illusion that they know you did something wrong (even if you did not).

Not to mention the fact their stupid software cost thousands of people hell of time (as they have to deal with this stupid system Copytrack created to be sure they do not miss something very important.

It also cause one thing – that some smaller clients are scared and afraid at the beginning as the threatening e-mails/letters are written in very offensive way. Which cost us the companies and individuals who manage their sites A LOT of time. For 30-45% of some stupid software. I understand that somebody want to get easily money in his pocket and try behave like he is Robin Hood, but do not remember that Robin was supposed to act as c*nt/bitch.

So for 30-45 % of photo which cost normally few euros you simply spam whole internet and waste time of hundreds thousands of people – webmasters, developers, graphic designers, lawyers.

Also there is for sure reason why these emails are already marked as spam in practically all email services. As it is in most of the cases legit spam service.

Also what is evident, that companies like Copytrack can easily bet on that some people even though they bought legally images will have some difficulties to prove that after couple yeras (to be honest try to get the from from where you have taken the image 4-5 years ago is very difficult). That is actually the reason why we use for our internal purposes marks in the articles as source of the photo so we knew exactly from where we took the photo originally – it saves a lot of time). But again – regular internet user/webmaster probably do not do that.

And thanks to that sometimes you find our that companies like Copytrack try to sue other companies for photos which are downloaded from Wikipedia and were uploaded to photo bank automatically. Strange? Yes, this also sometimes happens, then the thief representing thief is trying to point on some else and claim the biggest thief is him…

If I’m located in Austria, Switzerland, the Netherlands, or another foreign country – should I be concerned about the notice from Copytrack?

Absolutely! Regardless of your location, it’s crucial to address the notification from Copytrack.

Copytrack issues warnings on a global scale.

Jurisdiction of German courts on international matters: In April 2016, the Federal Court of Justice decreed that German courts typically hold jurisdiction over copyright infringements if the offending website can be accessed within Germany (BGH, judgment dated 21.4.2016, reference I ZR 43/14). At any rate, in other European countries, the service and recognition of a decision of a German court is no longer a major hurdle.

Should I pay the amount demanded by Copytrack?

Even in the case of basically justified warning letters, the amounts demanded are not justified. So in most situations, I wouldn’t recommend paying the specified amount.

This is because the sums detailed in the letters or invoices are typically not determined on an individual basis but are generated automatically. Copytrack asserts that their claim letters are purely machine-generated. As a result, there’s no individual assessment to determine if the claim amount is justifiable for each specific case. In our experience, when estimating the potential licensing damage to the photographer or copyright holder, Copytrack usually relies on the rates of MFM Mittelstandsgemeinschaft Foto-Marketing. This method can sometimes result in exorbitantly high damage claims for those being warned.

What are MFM tariffs?

The MFM (Mittelstandsgemeinschaft Foto-Marketing) annually determines the prevailing rates for photo usage in Germany. These are subsequently released in a publication titled “Bildhonorare.” There is, however, some debate over whether the so-called MFM recommendations are the appropriate measure for computing licensing damages. Rather than being a true reflection of conventional image usage royalties, these recommendations lean more towards the definitions set by the providers themselves. Judicial opinions on the relevance of MFM recommendations vary from one case to another.

Is the application of MFM tariffs justifiable?

The question is legitimate, but… . The tariffs are unilaterally established by a professional organization of photographers. To apply these rates, it’s crucial that the image wasn’t used in an exclusively private setting, and that it was either captured by a professional photographer or is of comparable quality to professionally taken photos, as affirmed by several court rulings.

The same precedens is by the way used in other countries as well. 

Will it be enough – can the photographer prove a license practice?

However, it’s insufficient to simply to claim that a photo was taken by a professional. As the District Court of Berlin elucidated in a verdict:

“The calculation of this license fee is not mechanically based on the MFM table. Decisive is rather the own licensing practice of the originator. The MFM table, which in any case is doubtful to what extent it actually reflects the usual licenses of professional photographers, can only be used if there is a corresponding licensing practice. The MFM table results in extremely high amounts of compensation, which in most cases do not match the photographer’s licensing practice. The Federal Court of Justice now also assumes that the amounts in the MFM table are unreasonably high (GRUR 2015, 258 Rn. 75 – CT-Paradies).”

In alignment with Berlin’s legal perspective, which we have also endorsed, solid evidence is required. This proof should confirm that the image was genuinely licensed following the rates delineated in the MFM table – a proof which according to our experience does not often succeed.

If that is so easy, do I have to react to emails? And what will happen if I do not send any reply?

While Copytrack only demands payment from a contractor when they themselves receive payment, based on my personal experience, they do not hesitate to incur legal fees in their pursuit of settling claims. If one chooses not to respond, they might find themselves receiving correspondence from legal representatives.

So in that case you will get another letter/email from the legal firm of Thomas Mauser from Mannheim has been enlisted to enforce such claims. Should one continue to remain unresponsive, there is the potential risk of the legal firm seeking judicial intervention to enforce the claim.

It also depends on the potential income for Copytrack. If there will be real case including 10-20 photos used in company website, they might be more persistent.

If you do not have one image licence, easiest way is to delete the image and wait. As what I could see nothing will happen after that.

The most interesting part in whole Copytrack process is that even the authors which are mentioned in their emails/letters, do not know anything about that they are “represented” by such a “great” company as Copytrack. I wrote to few content creators and they no clue what these “reputable law firms” are doing by their name (yes, they have contract with photo bank, they might get some money afterwards if the case was successful, but they would be very surprised how they are represented and some did not even know there is company like Copytrack using their name in the “enforcement process”).

A quick search shows they also steal 30-45% from the photographer/creator, from the amount they receive.

How to handle a notification from Copytrack

If you’ve received a warning from Copytrack, it doesn’t necessarily mean you need to pay the full amount they’re asking for, even if there was a copyright issue.

Should you just pay the amount?

No, you shouldn’t. Based on our understanding, using the MFM fee table as a one-size-fits-all charge isn’t always legally justified. So, don’t rush to pay an amount that might be too high.

Should you call Copytrack directly?

No, it’s best not to. Talking to them might accidentally give them more information, making things harder for you later.

What’s important to remember regarding to the Copytrack claim?

Make sure you don’t ignore any deadlines in the warning. Copyright claims can be legally binding, so it’s crucial to take them seriously and act in time.

However as I mentioned above, that is not such hot case as it looks like on first look. 

Did you receive a notice from Copytrack?

If you’ve been approached by Copytrack regarding photo usage or are facing potential legal proceedings, it’s essential to consult with legal professionals. Please feel free to reach out to any lawyer company who specialise on Copytrack claims.

Like Sos-recht.de which I used also as reference site for this content.

Ad mediation – what is it?

Ad mediation streamlines the handling of numerous ad networks via a singular SDK, aiding publishers in enhancing CPMs, fill rates, and overall efficiency.

What is ad mediation – understanding ad mediation

Ad mediation platforms offer app publishers the convenience of managing diverse ad networks from a unified platform, simplifying both reporting and optimization processes. In its absence, publishers would be tasked with navigating each ad network via their distinct SDKs and platforms.

Through ad mediation platforms, publishers can boost their inventory sales and elevate fill rates. This is achieved as the platform prompts ad networks to compete in bidding against one another. Consequently, publishers select the top bid, ensuring maximum fill rates and consequently amplifying eCPMs.

How does ad mediation work?

Ad mediation platforms aid advertisers in boosting revenue by allocating ad space through two main methods: waterfall bidding and in-app header bidding.

How is in-app header bidding executed?

In-app header bidding leverages programmatic techniques, allowing several advertisers to simultaneously bid for a designated ad slot. The top bidder secures the space but only pays a cent more than the bid of the second-highest contender. This approach ensures that publishers maximize their inventory’s value while advertisers obtain the space at a market-competitive price.

How does waterfall bidding work?

Waterfall bidding, an older technique, is especially favored by publishers aiming to swiftly offload residual inventory. Here’s a breakdown of the process in five stages:

  1. Upon initiation of a session and an impending ad request, the mobile app communicates with the ad mediation platform through the SDK.
  2. The platform discerns the suitable ad network to display the ad and consequently arranges an order of potential ad networks.
  3. Instead of randomly choosing, the mediation platform evaluates each network, prioritizing those with predicted superior performance. However, there are instances where certain networks might be given preference and solidified in a position, regardless of anticipated outcomes.
  4. The mediation platform then approaches the highest-ranking ad network to cater to the ad request. If this network fails to meet the request, the opportunity cascades to the next in line. This sequence persists until the ad slot is occupied.
  5. Finally, the chosen ad is showcased on the mobile app via the SDK.

What advantages do they offer?

A primary challenge for publishers is enhancing the sale of their ad inventory, referred to as fill rates. By incorporating more ad networks and prompting advertisers to competitively bid for ad space, ad mediation platforms facilitate this.

These platforms empower publishers to oversee multiple ad networks via a single unified platform and SDK. Unlike the tedious task of individually managing each ad network interface, campaign managers gain a consolidated view of all their networks. This holistic perspective opens doors to numerous avenues for selling ad space and amplifying campaign efficiency on a grand scale.

With ad mediation platforms, publishers can fine-tune parameters like CPMs, ARPPU (Average Revenue Per Paying User), ARPDAU (Average Revenue Per Daily Active User), ARPDEU (Average Revenue Per Daily Engaged User), fill rates, and beyond. In essence, these platforms are the linchpin for scalability, streamlined management, and enhanced efficiency.

However, it’s worth noting that giants like Facebook and Google don’t fully integrate their data with ad mediation platforms. Consequently, in specific scenarios, campaign managers might have to resort to supplementary platforms for campaign management.

The leading 4 mobile ad mediation platforms

Many ad mediation platforms are available today, each offering a variety of bidding options, reporting capabilities, and integrations. Among the most prominent platforms are AdMob by Google, ironSource, MoPub, and Max.

How can you select the best ad platform for your needs?

Given the plethora of platforms available, making the right choice can be daunting. Consider these essential questions to pinpoint the most suitable ad mediation platform:

  1. Which ad network is supported? Ensure both your current and prospective future ad networks are seamlessly integrated into the platform.
  2. How intuitive is the user interface? The main advantage of these platforms is simplifying campaign operations. Ensure that the reports are user-friendly and the processes enhance efficiency.
  3. How consistent is the server’s performance? Partnering with a platform that frequently experiences downtime can be costly. The more unreliable the server, the greater the potential revenue loss.
  4. What additional campaign optimization capabilities do they offer? ​​Investigate how the platform aids in refining campaign outcomes. Do they have features like audience segmentation and campaign testing? Moreover, gauge the quality of their customer service and their measures for data protection.

Key information about ad mediation to remember

  1. Ad mediation platforms simplify the process for app creators by centralizing the management of various ad networks, enhancing reporting and fine-tuning.
  2. These platforms boost fill rates and elevate CPMs by prompting ad networks to compete for your advertising space.
  3. Ad mediation platforms primarily use two bidding strategies: header bidding and the more traditional waterfall approach.
  4. Different ad mediation platforms have distinct features; it’s essential to inquire appropriately to ensure the platform aligns with your specific requirements.

Attribution window

An attribution window is a specific time frame during which a media partner can take credit for a click or view that led to someone installing an advertiser’s app.

Why are attribution windows important?

Attribution windows are like rules that advertisers and media partners follow to understand when an ad leads to someone installing an app. They create a system where we can connect an ad shown by a publisher to when a user decides to install the app, even if it doesn’t happen right away.

Sometimes, people see an ad but don’t install the app immediately. Attribution windows help us keep track of these users and make sure we give credit to the publisher’s advertising efforts when they eventually decide to install the app. This way, we can see the true impact of the ads, even if it takes some time for people to take action.

How long should I set an attribution window for?

The length of an attribution window depends on what you want to achieve with your advertising campaign. Let’s say you’re running an ad campaign to get people to install your app, and you’re using quick ads like banners that people might see briefly. In this case, you might want a short attribution window because these ads are unlikely to make someone install the app several days later.

On the other hand, if your campaign is all about interaction, like playable ads where users can engage with the ad before installing, you might prefer a longer attribution window. And if you want to see how your ad performs over time, especially in a premium app placement, you could choose a 21 or 30-day attribution window to see if it meets your goals.

Attribution windows can also help you test different ad networks. For instance, let’s say you have a karaoke app, and you want to run video ads with two networks: Network A, which you’ve worked with before, and Network B, which is new to you. You can set a short, one-hour attribution window for Network B to control what installs they can claim, while keeping the default 24-hour window for Network A.

Overview of all keyboard shortcuts for hidden symbols and all functions on the Czech keyboard

If you want to type unusual symbols on the keyboard using shortcuts or invoke functions using a shortcut, below you’ll find a list and instructions for typing with shortcuts on Windows and Mac. In addition, I will also provide an overview of system shortcuts (keyboard shortcuts) for invoking Windows and Mac operating system functions. Some are very similar on Windows and Mac.

It is important to note that each program you run may have its own shortcuts. Every function in every program can be invoked with a shortcut key, allowing subject matter experts to work faster.

Always look for these shortcuts in the program’s Settings or Preferences, usually under items such as “Commands” or “Keyboard Shortcuts”. In some cases, you can also set up custom shortcuts.

An overview of all keyboard shortcuts for hidden symbols and all functions on the Czech keyboard – quick navigation


 


Windows – Left Alt Shortcuts (Alt Codes)

How to type a special character on the Czech keyboard?

There is a universal shortcut for characters in the computer environment. To type a special character on the Czech keyboard, do the following:

  1. Press the left Alt key.
  2. While holding down the Alt key, type the numbers on the numeric keypad according to the following table.
  3. Then release the Alt key and the character will appear.

It is important to note that this method works for universal character shortcuts in a computer environment. Some characters may be specific to certain fonts or programs, so you may find that a rectangle appears instead of a character in graphics programs. This may indicate that the font does not contain the desired character.

When using this method, it is also important to note that some abbreviations may be marked as “EN only” and only work on an English keyboard.

Selected Left Alt/Windows Shortcuts. If you don’t have a keyboard with a number pad you can run the number pad instead of the letters by following the instructions here.
Arrows/arrows
En dash Alt+0150 Short dash (Hyphen)
Em dash Alt+0151 Long dash
Compiler to the left of the right Shift
Minus Alt+45 or the top right corner of the dial
Bold dash Alt+22 278
Underline, underscore _ Alt+95 Underline, Lowline
Upper dash, dash above ¯ Alt+0175 Only in EN to CZ = Ż (Macron)
Upper fat Alt+223
Bottom fat Alt+220
Horizontal line Alt+196
Horizontal double line ══ Alt+205
Arrow ↕/↕ Alt+8722 /18 Up-down arrow
Underlined arrow Alt+23 Up-down arrow
Up arrow Alt+24
Down arrow Alt+25
Left arrow Alt+27
Right arrow Alt+26 ENG keyboard only, not functional on CZ
Left-right arrow Alt+29
Up arrow – fat Alt+30
Down arrow – fat Alt+31
Right arrow Alt+16
Left arrow Alt+17
Left arrow – thin Alt+0139
Right arrow, more than Alt+0155
Double right arrow Alt+0187
Double left arrow Alt+0171

System
Back Alt+left arrow Browser and Windows
Go forward Alt+right arrow Browser and Windows
Level up Alt+up arrow Explorer
View Properties Alt+double-click On Desktop (also Alt+Entr)
Switch Alt+Tab Between active programs
Switch Alt+Esc Between active windows, straight
Close program Alt+F4
Print screen Alt+PrtSc Select the monitor image and save it to the clipboard (sometimes just PrtScn is enough)
Alt+letter Underlined letter in the menu – activates the function
Windows menu Alt+spacebar
Switch language Alt+Shift
Show password not **** Alt+F8 On the Windows Start screen
Full up Alt+ Page Up
Full Down Alt+Page Down
Increases and decreases the size of the expanded Windows menu Ctrl+Alt+Shift+arrows In arrow direction
Highlight the entire address Alt+d In browser

Mathematical Characters
Fold, the multiplication sign ×/× Alt+0215 /158 Multiplication Sign
Fold Alt+0183
Divided, division character ÷ Alt+0247 Same 246 / Division Sign
Plus, plus sign + Alt+43 Plus Sign
Plus sign ± Alt+0177
Smaller/Less than < Alt+60 Less Than Sign
Equal, equals sign = Alt+61 Equal Sign
Greater than, character greater than > Alt+62 Greater Then Sign
Cross, number sign # Alt+35 Number Sign
First ¹ Alt+0185 EN only, CZ = ą
On the other ² Alt+0178 En only, CZ = ˛
On the third ³ Alt+0179 Only in EN, in CZ = l
On zero º Alt+0186 Only in EN, in CZ = ş
Right angle Alt+28
Promile Alt+0137
Percentage, percent sign % Alt+37 Percent Sign
Grade ° Alt+0176 Also Alt+248
Minute, foot Alt+0039
Second, inch Alt+0034
One quarter (1/4 ¼ Alt+0188 Only on EN to CZ = Ľ
One half (1/2) ½ Alt+0189 Only on EN to CZ = ˝
Three quarters (3/4) ¾ Alt+0190 Only on EN to CZ=EN
Logical negation, logical negation ¬/¬ Alt+0172 /170 Not Sign
Slash / Alt+47 Solidus
Numbers
Zero 0 Alt+48 Digit Zero
One 1 Alt+49 Digit One
Two 2 Alt+50 Digit Two
Three 3 Alt+51 Digit Three
Four 4 Alt+52 Digit Four
Five 5 Alt+53 Digit Five
Six 6 Alt+54 Digit Six
Seven 7 Alt+55 Digit Seven
Eight 8 Alt+56 Digit Eight
Nine 9 Alt+57 Digit Nine

Text Signs
Quotes Alt+0132 Czech quotation marks – initial, bottom
Quotation Mark Alt+0147 Czech ending quotation marks, English opening quotation marks
Alt+0148 /241 English ending quotation marks
“/” Alt+0187 /175 French opening quotation marks
“/” Alt+0171 /174 French end quotes
Alt+0130 Simple Czech quotation marks – introductory
Alt+0145 Czech simple quotation marks – trailing
Comma above right ´ Alt+0180 / 239 Acute Accent
Alt+34
Canopy, inverted hook, canopy ˆ Alt+0136 (EN only) Circumflex Accent
Apostrophe Alt+39 Apostrophe
Ampersand, and & Alt+0038
Release Alt+0133
Drawer Alt+0146 Apostrophe
Fixed space Alt+0160
Split space Alt+255
New line Shift+Entr New paragraph
End of alignment Alt+20
Left round bracket ( Alt+40 Left Parenthesis
Right round bracket ) Alt+41 Right Parenthesis
Asterisk * Alt+42 Asterisk
Left square bracket [ Alt+91 Left Square Bracket
Right Square Bracket ] Alt+93 Right Square Bracket
Left Composite Bracket { Alt+123 Left Curly Bracket
Curly Bracket } Alt+125 Right Curly Bracket
Reverse slash Alt+92 Reverse Solidus
Vertical divider | Alt+124 also 0124
Vertical line, vertical line Alt+179 Vertical Line
Doublet : Alt+58 Colon
Median ; Alt+59 Semicolon
Quote ? Alt+63 Question Mark
Victorian ! Alt+33 Exclamation Mark
Screamers Alt+19
Apendix Alt+0182 Space separator in Word
Rotated question mark ¿ Alt+0191 Only EN to CZ = ż
Character Alt+0130 Comma
Bullet – bullet Alt+0149
Wavelet above, tilde, wavelet above ˜ Alt+0152 En only – Tilde
Split divider Alt+0166
Paragraph, paragraph character §/§ Alt+0167 /21 Same 245 Paragraph Sign
Voting ¨ Alt+0168
Feminine ª Alt+0170
Character , Alt+44
Dot . Alt+46 Full Stop
Upper dot, dot in upper italics ˙ Alt+250 Above

International Characters
Euro sign Alt+0128
Libra, pound sign, Pound £ Alt+0163 only in EN to CZ = £
Dollar, dollar sign $ Alt+36 Dollar Sign
Cent, cent sign ¢ Alt+0162 EN to CZ only = ˘
Yen, yen character ¥ Alt+0165 only EN to CZ = Ą
Gold/Florin f Alt+0131 EN only
Currency, currency sign ¤ Alt+164 Currency Sign
Sharp S ß Alt+0223
Wavelet, tilde, wavelet over ~ Alt+126
Trademark Alt+0153
Copyright, Copyrights sign © Alt+0169 c in circle
Registered stamp ® Alt+0174 r in ring
Sabbath, the sign of the Sabbath, @ Alt+64 formerly Commercial “AT”, and in a circle
Cross/dagger Alt+0134
Double cross Alt+0135
Woman Alt+12
Male Alt+11

Entertainment
Note Alt+13
Note Alt+14
Heart Alt+3 also 259
Smiley Alt+1 also 257
Full smiley face Alt+2 also 258
Pikes Alt+4
Crosses Alt+5
Cars Alt+6
Ball Alt+7
Square Alt+8
Ring Alt+9
Sun Alt+15
Exclamation mark/Screamers Alt+19
Paragraph § Alt+245
Home Alt+127
Inverted wheel Alt+10
Black dice Alt+254

Graphics (semigraphics)
Chessboard – light grey Alt+176
Medium grey Alt+177
dark grey Alt+178
Black Alt+219
Double Line
Box – vertical left Alt+185
Box – vertical right Alt+204
Horizontal ══ Alt+205
Vertical Alt+186
Upper right corner Alt+187
Bottom right corner Alt+188
Bottom left corner Alt+200
Upper left corner Alt+201
Horizontal centre Alt+202
Horizontal centre down Alt+203
Crossing/double cross-shaped line Alt+206
Single Line
Vertical Alt+179
Horizontal Alt+196
Box – vertical left Alt+180
Upper right corner Alt+191
Lower left corner Alt+192
Bottom shirt ┴┴ Alt+193
Top cap ┬┬ Alt+194
Left divider … Alt+195
Centre divider S Alt+197
Bottom right hand corner Alt+217
Upper left hand corner Alt+218

Foreign Letters
The letter u (ü) ü Alt-0252 Also Alt-129
Hook accent ˆ Alt+0136 En only
Thorn Island (þ/Þ) þ/Þ Alt+0254 /0222 En only, CZ = ţ / Ţ
Oeuvre FR large and small (Œ/œ) Œ/œ Alt+0140 /0156 Only in EN, in CZ = Œ
Letter e with accent (ê) ê Alt+0234 En only, in CZ = ę
Capital letter u with a comma on the opposite side (Ù) Ù Alt+0217 En only, in CZ = Ů
Capital letter – hyphen – at (Ü) Ü/Ü Alt+0220 /154 Same 235
Lowercase letter e (ë) ë Alt+0235
The letter a with accent – with a comma on the opposite side (à) à Alt+0224 En to CZ only = ŕ
Minuscule letter c FR – lower case (ç/Ç) ç/Ç Alt+0231 /128 Same ÇAlt+0199 / Alt+135
The letter a with accent – beak (â) â Alt+0226
Letter a-tilde with a wavy line (ă) ă Alt+0227
Voted letter and (ä) ä Alt+0228
Letter ae (æ) æ Alt+0230 En only, in CZ = ć
Letter a with ring (å) å Alt+0229 En only, in CZ = ĺ
Letter edd/Eth (ð/Ð) ð/Ð Alt+0240 /0208 EN only, CZ = đ/Đ
Letter minuscule n (ñ) ñ Alt+0241 En only, in CZ = ń
Letter My majuscule m (µ) µ Alt+0181
Cedilla ¸ Alt+0184 “Tail” on the left
Accented letter o – with a comma on the other side (ò) ò Alt+0242 EN only, CZ = ň
Capitalised and accented – with a comma on the other side (À) À Alt+0192 En only, in CZ = Ŕ
Lowercase letter with accent – with comma on the other side (ì) ì Alt+0236 En only, in CZ = ě
Capital letter a with accent (Â) Â Alt+0194
Capital letter a with a wavy line (Ã) Ã Alt+0195
Capital letter overvoted and (Ä) Ä Alt+0196
Capital letter a with circle (Å) Å Alt+0197 En only, in CZ = Ĺ
Capital letter AE (Æ) Æ Alt+0198 En only, CZ = Ć
Capital letter e with accent – with a comma on the other side (È) È Alt+0200 En only, CZ = Č
Lowercase letter i with canopy (î) î Alt+0238 En only, CZ = î
Capital letter e with canopy (Ê) Ê Alt+0202 En only, in CZ = Ę
Capital letter – hyphen – e (Ë) Ë Alt+0203
Capital letter i with accent (Ě) Ě Alt+0204
Lowercase – hyphen – i (ï) ï Alt+0239 En only, in CZ = ď
Capital letter i with canopy (Î) Î Alt+0206
Capital letter – hyphen – i (Ï) Ï Alt+0207 En only, in CZ = Ď
Lowercase letter e with accent – with a comma on the other side (è) è Alt+0232 En only, CZ = no
Capital letter n with a wavy line (Ń) Ń Alt+0209
Capital letter o with accent (Ò) Ò Alt+0210 En only, in CZ = Ň
Capital letter o with house (Ô) Ô Alt+0212
Capital letter o with a wavy line (Ő) Ő Alt+0213
Capital letter – hyphen – by (Ö/Ö) Ö/Ö Alt+0214 /153
Capital and lower case letter o – grapheme (Ø/ø) Ø/ø Alt+0216 /0248 Only EN to CZ = Ř
Lowercase – hyphen – y (ÿ) ÿ Alt+0255 Only on EN to CZ = ˙
Capital letter z with accent (Ź) Ź Alt+0143
Lowercase letter u with accent – with a comma on the other side (ù) ù Alt+0249 En to CZ only = ů
Lowercase letter u with canopy (û) û Alt+0251 En to CZ only = ű
Capital letter – hyphen – y (Ÿ) Ÿ Alt+0159 Only on EN to CZ = ź
Lowercase letter o with canopy (ô) ô Alt+0244
Lowercase letter o with a wavy line (ő) ő Alt+0245
Lowercase letter – hyphen – by (ö) ö Alt+0246 /148
Lowercase and uppercase a with canopy (â/Â) â/Â Alt+131 /182
Lowercase letter a (ä) ä Alt+132
Lowercase letter c with a comma (ć) ć Alt+134
Lowercase crossed-out l (ł) l Alt+136
Lowercase letter – hyphen – e (ë) ë Alt+137
Capital letter – hyphen – by (Ő) Ő Alt+138
Lowercase letter o (ő) ő Alt+139
Lowercase letter i with canopy (î) î Alt+140
Capital letter z with comma (Ź/ź) Ź/ź Alt+141 /171
Capital letter overvoted and (Ä) Ä Alt+142
Capital letter c with accent – with comma (Ć) Ć Alt+143
Upper and lower case letter l with comma (Ĺ/ĺ) Ĺ/ĺ Alt+145 /146
Lowercase letter o with canopy (ô) ô Alt+147
Capital and lowercase letter l with comma/apostrophe (L/L) L/L Alt+149 /150
Capital letter lodge (Ł) Ł Alt+157
Capital and lowercase letter with a comma (Ś/ś) Ś/ś Alt+151 /152
Upper and lower case and with upper/lower case (Ą/ą) Ą/ą Alt+164 /165
Upper and lower case e with upper/lower case (Ę/ę) Ę/ę Alt+168 /169
Lowercase and uppercase letter s with a crank (ş/Ş) ş/Ş Alt+173 /184
Upper and lower case t with a crank (Ţ/ţ) Ţ/ţ Alt+221 /238
The letter sharp s from German (ß) ß Alt+225
Capital letter o with canopy (Ô) Ô Alt+226
Capital letter n with comma (Ń/ń) Ń/ń Alt+227 /228
Capital letter r with comma (Ŕ/ŕ) Ŕ/ŕ Alt+232 /234
Bottom hook (˛) ˛ Alt+242
Vowel/consonant (¨) ¨ Alt+249
Lowercase z with a dot (ż) z Alt+0191

Czech Letters
Long letter ypsilon with a comma (ý) ý Alt+0253 also 236
Capital/lowercase letter s with a hook (W/s) S/H Alt+0138 /231 also Alt+230/Alt+0154
Lowercase long letter u with comma (Ú/ú) U/u Alt+0218 /163 also 233
Long capital letter y with a comma (Ý) Ý Alt+0221 also 237
Long upper/lower case a with comma (á/Á) á/Á Alt+0225 /181
Long letter o with a comma (ó) ó Alt+0243
Large capital letter with a comma (Á) A Alt+0193
Long letter i with a comma (í) í Alt+0237
Long capital e with a comma (É) É Alt+0201
Long capital letter with comma (Í) Í Alt+0205
Lowercase letter long o (Ó/ó) Ó/ó Alt+0211 /162 also 224
Long letter e with a comma (é) é Alt+0233
Capital letter t with hook (Ť) Ť Alt+0141
Long letter u with a comma (ú) u Alt+0250
Lowercase and uppercase z with hook ( ž/Ž) ž/Ž Alt+0158 /0142
Lowercase i (i) ¡ Alt+0161 EN to CZ only = ˇ
The letter ypsilon (y) y Alt+121
Letter z (z) z Alt+122
Long letter e with a comma (é) é Alt+130
Ringed lower/upper case u/u with ring (ů/Ů) u/Ů Alt+133 /222
Large long letter e with a comma (É) É Alt+144
Lowercase/uppercase t with a hook (þ/Ť) h/t Alt+156 /155
Lowercase/uppercase c with hook (no/ch) c/ch Alt+159 /172
Long letter a/a with a comma (a) a Alt+160
Long letter i/i with a comma (í) í Alt+161
Upper/lower case z with hook (F/F) Ž/ž Alt+166 /167
Capital E with hook (Ě) Ě Alt+183
Lowercase letter n with a hook (ň) ň Alt+229
Hook ˇ Alt+243 also 244
Capital letter r with hook (R/r) R/r Alt+252 /253

Letters uppercase
Capital letter A A Alt+65
Capital letter B B Alt+66
Capital letter C C Alt+67
Capital letter D D Alt+68
Capital letter E E Alt+69
Capital letter F F Alt+70
Capital letter G G Alt+71
Capital H H Alt+72
Capital letter I I Alt+73
Capital letter J J Alt+74
Capital letter K K Alt+75
Capital letter L L Alt+76
Capital letter M M Alt+77
Capital letter N N Alt+78
Capital letter O O Alt+79
Capital letter P P Alt+80
Capital letter Q Q Alt+81
Capital letter R R Alt+82
Capital letter S S Alt+83
Capital T T Alt+84
Capital letter U U Alt+85
Capital letter V V Alt+86
Capital letter W W Alt+87
Capital letter X X Alt+88
Capital letter Y Y Alt+89
Capital letter Z Z Alt+90

Lowercase
Lowercase letter a a Alt+97
Lowercase b b Alt+98
Lowercase c c Alt+99
Lowercase d d Alt+100
lowercase e e Alt+101
Lowercase f f Alt+102
Lowercase g g Alt+103
Lowercase h h Alt+104
Lowercase i i Alt+105
Lowercase j j Alt+106
Lowercase k k Alt+107
Lowercase l l Alt+108
Lowercase m m Alt+109
Lowercase n n Alt+110
Lowercase o o Alt+111
Lowercase p p Alt+112
Lowercase q q Alt+113
Lowercase r r Alt+114
Lowercase s s Alt+115
lowercase t t Alt+116
Lowercase u u Alt+117
Lowercase v v Alt+118
Lowercase w w Alt+119
Lowercase x x Alt+120
Lowercase y y Alt+121
Lowercase z z Alt+122

Visual display of the use of the left Alt + dial combination (for all languages)

If you have a laptop or keyboard that does not include a dial pad, you must activate the dial pad function using the “NUM” key. The letters located in the middle of the keyboard will then be turned into digits. These are shown here in red. Common digits on the standard dial are shown in white (for reference and safety).

 


Keyboard shortcuts using the right Alt key

The shortcuts below are only available on the Czech QWERTZ keyboard, which is the standard Czech layout. In other language versions or keyboard layouts these shortcuts are not functional. The right Alt key can be replaced by the left Alt+Ctrl key combination.

 

Czech keyboard shortcuts with right Alt / cz / Windows
Switch @ right Alt+v Commercial AT
Vertical divider | right Alt+w Vertical Line
Euro Right Alt + e Euro Sign
Split ÷ Right Alt + ú Division Sign
Fold × Right Alt + ( Multiplication Sign
ð right Alt+s
Đ right Alt +d
Square bracket [ right Alt+f Left Square Bracket
Square Bracket ] Right Alt+g Right Square Bracket
l Right Alt+k
L right Alt+l
Dollar $ Right Alt+u Dollar Sign
Sharp S ß Right Alt + §
Crosshair # Right Alt + x Number Sign
Ampersand & right Alt+c Ampersand
Composite bracket { right Alt+b Left Curly Bracket
Curly Bracket } Right Alt+n Right Curly Bracket
Lesser < Right Alt+, Less Than Sign
Larger > Right Alt + . Greater Than
Asterisk * Right Alt + – Asterisk
Backslash, inverted slash right Alt+q Reverse Solidus
¨¨ Right Alt+= Macron
Quotes ¸¸ right Alt + ´ Quotation Mark
Change monitor orientation Right Alt + up, down, left, right arrow keys

Visual comparison of the layout of hidden characters on the keyboard using the right Alt on Czech keyboards

1. Right Alt + (standard – CZ QWERTZ)

Here is an example of the layout of hidden symbols on the Czech QWERTZ keyboard that will appear when you press the combination Right Alt + a given character. On other types of Czech keyboards, these symbols are placed differently, as can be seen in the following comparison table.

 

2nd character map of right Alt + CZ QWERTY

 

3. right Alt + Czech programming character map

 

 


Keyboard shortcuts using Ctrl/CMD

The following shortcuts are active when you press the Control or Command key on macOS devices. The basic shortcuts for both systems are essentially the same. The letter used always corresponds to the first letter of the English name of the function.

 

Keyboard shortcuts with Ctrl/Windows or Cmd/Mac
Select All Ctrl+a
Copy / Copy Ctrl+c / also Ctrl Insert
Insert/Paste Ctrl+v / also Shift Insert
Extract Ctrl+x (inserts to clipboard)
Search/Find Ctrl+f
Save/Save Ctrl+s
Bold – text Ctrl+b
Underline – text Ctrl+u
Italic – text Ctrl+i
Open / Open Ctrl+O
New/New Ctrl+N
Print / Print Ctrl+p
Back, it actually works everywhere, even in Explorer. Have you deleted or moved something and don’t know where? Then ctrl+z will undo it. Ctrl+z
Action again Ctrl+y
To the beginning of the word Ctrl+right arrow (also 6)
To the top of the previous one Ctrl+left arrow (also 4)
To the top of the paragraph Ctrl+up arrow (also 8)
To the top of the previous paragraph Ctrl+down arrow (also 2)
Highlight paragraph Ctrl+Shift+arrow
Desktop/System Selection Ctrl+arrow+spacebar
Enlarge/reduce icons Ctrl+mousewheel
Switch between browser bars Ctrl+Tab
Switch between bars in the opposite direction Ctrl+Shift+Tab
Enlarge (zoom) text Ctrl+ “+” (plus)
Shrink (zoom out) Ctrl+ “-” (minus)
Back to 100% size Ctrl+ 0 (zero)
Reload Ctrl+r
New browser bar Ctrl+t
Page source code Ctrl+u
History Ctrl+h
Save to browser bookmark / delete in system Ctrl+d
Many functions depending on browser – address-Chrom, search-Firefox, new window with old content-IE Ctrl-r
Windows menu Ctrl+Esc
Task Manager Ctrl+Shift+Esc
Control-Alt-Delete (Security Keys) generally stops all processes, even frozen ones, in PC-based systems and allows immediate system administration Ctrl+Alt+Del
Delete browsing history/data Ctrl+Shift+Del
New folder Ctrl+Shift+n
Copy not move Ctrl+drag and drop (drag and move)
Open folder in a new window Ctrl+click
To the beginning/end of the text Ctrl+ “Home/End”
Open link in a new browser window Ctrl+click on link
Switch back and forth between browser bars Ctrl+PageUp / PageDown

Keyboard Shortcuts with Shift

The following shortcuts work when you press the Shift key.

Keyboard Shortcuts with Shift
Delete directly irreversibly Shift+del
Run in background Shift+double-click
Control menu, as right click Shift+F10
Tasks manager Ctrl+Shift+Esc
Insert CD into drive without auto-running hold Shift while inserting
Shuffles between active page/system elements Shift+Tab
Create shortcut Shift + Ctrl + drag and drop
Highlight all items from the start to the click point Shift + click
One finger function, in case you can’t press Ctrl, Shift and Alt at the same time, when you turn this on you can press them sequentially and the system will expand it as pressed at the same time Shift 5x at a time
Key Filtering – enable/disable to ignore short and repeated wrong keystrokes Right Shift hold for 10 seconds
Close All Shift+click to close
Bulk selection Shift+arrow
Transcription function/same as Insert key Shift+0
Open link in new browser bar Shift+click on link
Fixed bounce, new line Shift+Entr

F1 – 10, keyboard status keys and other keys and keyboard shortcuts

The following shortcuts work when F1 to 10 and others are pressed.

 

F-key properties on the Windows F keyboard
Help F1
Rename F2
Search F3
In explorer-address F4
Close window Alt+F4
close the current virtual desktop Windows+F4
Reload – update F5
Active state jumps up to address – menu F6
Microsoft Programs Spell Check F7
Boot menu on Windows startup and repair, intermittently F8
Show password instead of *** when logging into Windows Alt+F8
Renew, submit, accept at Microsoft online F9
Activates the menu bar for some programs F10
Like a right click Shift+F10
Full screen mode on/off F11
Save as Microsoft F12
Other useful keyboard shortcuts
High contrast on/off (system completely inverts colors including Windows menu) left Alt+left Shift+Prtsc
Function Mouse keyboard Left Alt+Left Shift+Num Lock
Turn ToggleKeys off and on for the disabled, sometimes it’s hard to turn off, in Settings/Mouse/Keyboard Mouse Features – must be off, and then in Accessibility/Keyboard – keyboard voicing must be off. Num Lock hold for 5 seconds
state keys on the keyboard
Print screen function – screen capture, save to clipboard, invoke Ctrl+V PrtScn key
Scroll Lock, on old keyboards. Now incomprehensible, once a necessity. It locked the mouse cursor into the active window and couldn’t get out.. xi xi ScrLk key
Pause – Break originally from a teletypewriter. Later used to terminate program execution, now used only in PC games. Break key
Text Override Function. When typing, the new text overwrites the old one. No use today. Insert key or Shift+0
Level up in explorer Backspace
Explorer – show all subfolders Num Lock+ *
Explorer – expand / collapse the contents of the folder Num Lock +”+/-“
Magic SysRq key, is a key designed for the Linux operating system, where it is used with the Alt key for system freeze functions. In Windows, it has no primary function. SysRq

 


Windows Shortcuts Buttons

The following shortcuts are active when you press the Windows logo button, which is always located to the left of the Alt key. Press and hold this button while simultaneously pressing the character listed in the table below.

Windows + button
Show Desktop and Back Windows+D
Lock pc/Lock Windows+L
Action Center/Windows right panel Windows+A
Show Calendar Windows+Alt+D
Explorer Windows+E
Game Bar Windows+G
Share print screen Windows+H
Windows system settings Windows+i
Quickly connect peripherals Windows+K
Minimize all Windows+M
Maximise all Windows+Shift+M
Desktop projection options Windows+P
Start – System/Run Windows+R
Search – System/Search Windows+S
Swap between applications in the tray Windows+T
Facilitation settings Windows+U
Windows menu bar Windows+X
Minimize all windows except one (clear workspace) Hold the window by the bar at the top with the cursor and shake it back and forth a few times
Skip to desktop Windows+, (windows+comma)
Change program window to half Windows+arrow in a given direction
Show all running windows and desktops Windows+Tab
Let the system talk Windows+Entr
Zoom/Up + – Windows+ “+” and “-“
Pupil back to 100% Windows+Esc
Second Desktop – Controls
Start overview of open tabs/windows Windows+Tab
Add another virtual desktop Windows+ctrl+D
Swap between virtual desktops Windows+left and right arrows
Close the current virtual desktop Windows+F4
Print screen of selected only (after 2019 update only) Windows + Shift + S + select by dragging the cursor (saves to clipboard – Ctrl+V is invoked)
System Properties – Basic Computer Information Windows+Break
Change language Windows + browser
Back last language Windows+Ctrl+spacebar

Fn keyboard button (also F-Lock)

A button for direct control of your computer’s hardware, especially on laptops. This includes functions such as turning the sound up and down, turning the volume down, turning the screen brightness up and down, turning the touchpad on and off, controlling music, enabling “NumLock” which is turning the integrated numeric keypad on or off, directly launching Wifi, switching between displays, etc. The Fn button allows you to control these settings directly without having to search for these functions in the software.

Look for the button marked Fn on the keyboard. This button is always a different color from the other keys. Press and hold this button. On the keyboard, look for markings on each key that are the same color as the Fn button (if the Fn button is purple, look for other purple key markings). While holding down the Fn button, press the key with the desired function in the same colour and the function will be automatically activated.

F-Lock is the equivalent of the Fn button on Windows keyboards. The difference is that when you press this button, the desired function remains activated without having to hold the button all the time. Pressing the F-Lock button a second time will deactivate the function again.

 


Customize Windows 10 shortcuts

In Windows 10, you have the option to download the “Mouse and Keyboard Center” app. This app allows you to set up your keyboard and its functions. For Microsoft keyboards only.

 


Map of all Windows characters:

If you are looking for a specific character and there are a really large number of them, you can find all available characters in Windows using the charmap application. This tool will show you all existing characters in the Windows environment. To launch the application, press the Windows button on your keyboard – it’s the second button from the left at the bottom, press and hold the Windows button while pressing the letter R. A dialog box will open to launch Windows applications directly. Type charmap.exe in this box and confirm with Enter. Windows will then open the Character Map, where you can simply copy the desired characters into the text using the Ctrl+C, Ctrl+V key combination.

An alternative way is to click on the magnifying glass icon on the bottom bar and type “Character Map” in the search box. This will find and open the same application with all the characters.

Start > Programs list > P – Accessories > Character Map (in English version: Start > All Programs > Accessories > System Tools > Character Map)

Personally, if you need to find a character quickly, I recommend visiting http://copypastecharacter.com/. This page offers a simple and visually accurate character search, which you can then simply copy using the Ctrl+C, Ctrl+V key combination. In addition, you can easily find out the HTML code of a given character.

 


Foreign accents on Windows QWERTY:

The most commonly searched character on this keyboard is the German umlaut, or two dots above the letter (Double Acute Accent). You can type this diacritic by pressing the | \ key (this key is located either above or to the left of the Enter key, or in the bottom left corner – see attached image)) and then pressing the letter. Umlaut will then appear above the letter. For example, pressing the | (or \) keys and the letter “a” will produce the letter ä.

 

If you need to type a letter with a left accent, i.e. with the comma above pointing to the left (also a backslash) as opposed to the Czech comma above pointing to the right, you must first press the Alt Gr and numeral 7/ý key combination, and then the letter to be encircled. Then a comma will appear above the letter to the left, which is also known as a Grave Accent – for example, for the letter e, a è will appear.

 


Map of all characters, special symbols and icons on Apple OS:

How to type a character or symbol on Mac that is not on the keyboard? On the Mac, this issue is handled in a very elegant, logical and clear way. There are several ways to bring up a clear application where you can see a map of all the characters and select the character you need. You don’t need anything more or less: And if you use the character frequently, you can choose the shortcut under which you call up the character in the language settings item: Symbol and Text Substitution. And here’s how to start the character application on the MAC:

  1. Click where you want to insert the character. Press Control+Command+Spacebar. And you’re done. Select what you need here. The most used emoji will appear first, for other characters expand the app using the icon in the top right corner. Then select as needed.
  2. The other way to invoke this app is from the status menu. In the top bar, click on the language flag, select “Show Character Panel” here, and then you’re done. If you don’t have “Show character panel” here then you need to add it in the settings. Follow these steps: System Preferences // International // Input Menu // Character Palette / you must also have this checked: Show input menu in menu bar
  3. On some MAC applications, you can bring up this character list by pressing Command+Option+T
  4. If you can’t do that here I recommend this http://copypastecharacter.com/ character overview with all the characters.

 


Picture/image capture options on Mac (print screen)

The following shortcuts show the different options for capturing an image on the screen – the printscreen feature – on the Mac platform. Got it! Saves a .png with the date and time in the name. Multiple screens are saved separately.

Print screen – Mac
Print screen and save to desktop ⌘+⇧ +3 (Cmd+Shift+3)
Remove screen and save to clipboard ⌘+Ctrl+⇧ +3 (Cmd+Ctrl+Shift+3)
Remove active window ⌘+⇧+4+spacebar + click on window(Cmd+Shift+4+spacebar)
Remove active window without shadow ⌘+⇧+4+Alt+spacebar + click on window(Cmd+Shift+4+Alt+spacebar)
Remove selected panel by dragging mouse ⌘+⇧ +4 – drag (Cmd+Shift+4+mouse drag)
Remove selected image by dragging with mouse and save to clipboard ⌘⌘+Ctrl+⇧ +4 – drag (Cmd+Ctrl+Shift+4+mouse press)

 

Private marketplace (PMP) – what is private marketplace and what is PMP used for?

Private marketplaces (PMPs) are exclusive auctions curated by publishers, where a limited audience of advertisers is selected. PMPs provide publishers with greater control over ad placement and often offer premium advertising positions.

What is a private marketplace (PMP)?

A private marketplace (PMP) provides advertisers with the opportunity to bid on select ad spots. PMP falls under the umbrella of real-time bidding (RTB), where publishers invite a limited group of advertisers to compete for top positions.

PMP deals offer advantages to both publishers and advertisers. Publishers can maximize revenue by commanding higher prices for premium ad space, while advertisers gain access to coveted placements.

These semi-exclusive spots grant advertisers more control and higher quality, allowing them to strategically choose the inventory they want to bid on.

The RTB process provides immediate user insights, and PMPs offer additional audience information, such as demographics and location, enabling advertisers to target specific segments with their ads.

In recent years, the private marketplace (PMP) has gained prominence and become a preferred solution for ad spending, surpassing the traditional open exchange in popularity.

What is a deal ID?

A deal ID is a unique identifier generated by publisher ad servers for each bid request. It serves as a shared number between the buyer and seller to determine which participants are eligible to enter the auction or place bids on specific ad inventory.

Negotiating the terms associated with a deal ID can be a time-consuming process that involves additional steps. However, deal IDs offer valuable information about prior agreements that may have been established through preferred deals or programmatic guarantees.

While not every preferred deal utilizes deal IDs, as some may rely on tags, deal IDs provide the advantage of containing more detailed information without impacting the functionality or loading speed of the page or ad.

By employing multiple deal IDs, a single impression can be entered into multiple private marketplaces (PMPs), allowing for a comparative evaluation of results. This approach expands the reach of the PMP while maintaining its exclusivity and keeping it separate from the open exchange.

How does a private marketplace (PMP) work?

While PMPs operate within the realm of real-time bidding (RTB), they occupy a middle ground between programmatic and open auctions. In a private marketplace, intermediaries are eliminated from the programmatic advertising process, reducing the open and unrestricted nature of open auctions by creating a more exclusive environment.

Unlike in open auctions, there are no ad exchanges or supply-side platforms (SSPs) involved in facilitating placements within PMPs. Instead, PMPs are typically offered by large websites known for their premium quality, such as The New York Times or Wall Street Journal. These private marketplaces provide transparency regarding available ad spaces and the inventory being offered.

Access to PMPs is restricted to advertisers who have been specifically invited with a Deal ID. Only those advertisers with a valid Deal ID can enter and participate in the PMP auction, ensuring a more controlled and selective environment.

Private marketplace (PMP) benefits

Two significant concerns in the realm of RTB are the potential for fraud and the lack of control over ad placement.

PMPs have emerged as a viable solution to address these issues. By implementing a bid arrangement with set values and enhanced transparency, PMPs reduce the risk of fraud and provide a more secure advertising environment.

One of the key advantages of PMPs is the increased control they offer to advertisers and publishers. They ensure that campaigns are placed strategically, avoiding insensitive or awkward ad pairings.

Programmatic advertising through PMPs proves to be highly efficient for advertisers, especially when targeting top-tier websites. It has the potential to replace costly in-house direct-sales teams that traditionally dedicate significant human resources to manually purchasing ad spots.

Furthermore, the scope of PMPs is expanding beyond premium inventory and ads. There is a possibility that PMPs will extend to mid-range publishers and include advertisers seeking broader placement opportunities, moving beyond exclusive prime spots.

PMPs provide enhanced brand management, which is particularly beneficial for top-tier publishers and advertisers. Brands can exercise greater control and protect their reputations by ensuring meaningful ad placements and fostering alignment between advertisers and publishers to avoid poor ad placement. As a result, PMPs have gained popularity in recent years.

Private marketplace (PMP) drawbacks

While PMPs offer advantages, there are some drawbacks to consider. In certain cases, the open exchange may provide a better solution with a higher yield, as PMPs can be pricier and do not guarantee a captive audience. Advertisers who are testing campaigns or in the early stages of ramping up their strategy may hesitate to pay for prime spots.

Additionally, advertisers may opt to wait and bid in an RTB auction to secure a lower price, as they may not necessarily require the first placement at a premium cost.

Moreover, PMPs require more time and manual interaction compared to the streamlined nature of the open exchange.

PMP vs. open auction (RTB)

Contrasting with an open exchange or RTB, PMP deals involve a set floor price at a premium cost. This pricing structure is justified by the high-quality inventory and increased transparency in ad placement.

When buying a PMP placement, there are fewer unknowns compared to the open exchange. While any publisher can offer spots in the open exchange and any advertiser can bid, PMPs operate differently. Publishers are carefully selected, and only a specific group of advertisers are invited to place bids, ensuring a more controlled and targeted advertising environment.

Preferred deals explained

In a preferred deal, the buyer has the opportunity to bid at a negotiated price, but there is no guarantee that the deal will be accepted. Unlike other types of deals, the inventory in preferred deals is not reserved exclusively for the buyer. The publisher can choose to reserve it with another buyer if they offer a better price. Buyers are also not obligated to purchase inventory in preferred deals, giving them more flexibility.

PMP vs. programmatic guaranteed

In comparison to a private marketplace (PMP), programmatic guaranteed deals offer an even higher level of exclusivity. Programmatic guaranteed deals involve fixed-price slots with a specific number of guaranteed impressions. The auction process is still automated through demand-side platforms (DSPs) and supply-side platforms (SSPs).

When publishers establish relationships with advertisers, they often provide discounts and bundled deals to incentivize future collaborations. Minimum bid prices and deal parameters are often discussed between the participating parties before the Deal ID is created, allowing for greater transparency and negotiation.

The future outlook of private marketplaces

In 2020, private marketplaces surpassed programmatic advertising expenditure for the first time, indicating their growing significance. Programmatic advertising spending experienced a significant surge in 2021, with a 41.2% increase, and it is projected to reach $123.22 billion in the United States alone, as reported by eMarketer.

Industry experts anticipate that private marketplaces (PMPs) will continue to gain a larger market share due to the enhanced control they offer to both advertisers and publishers. Additionally, concerns regarding malware incidents in the open programmatic marketplace have played a role in the increasing popularity of PMPs.

According to The Media Trust, Q4 of 2021 saw a 64% increase in malware incidents compared to the same period in 2020. Malicious redirects experienced a surge of 170%, and fake antivirus software update ads increased by 50% throughout 2021.

Private marketplaces, on the other hand, contribute to mitigating these threats. PMPs provide high viewability, engaged audiences, and fewer impressions influenced by bots. Top-tier publishers are actively striving for data clarity and audience segmentation to outperform the limitations imposed by third-party cookies, as highlighted by The Media Trust.

However, challenges persist for the middle segment of publishers and advertisers. PMPs need to find scalable solutions to cater to this middle ground, which consists of publishers and advertisers who fall between small-scale and large-scale operations. This segment is often left to traditional programmatic advertising practices.

Time and cost are the primary concerns that can make Private marketplaces (PMPs) less than ideal for this middle segment, as they may require additional resources and investments.

KEY INFORMATION ABOUT PRIVATE MARKETPLACES (PMPS) TO REMEMBER

  • The private marketplace (PMP) is a subset of real-time bidding (RTB) that restricts the number of advertisers participating in the auction.
  • PMPs offer increased transparency, allowing advertisers to have a clear understanding of available ad spaces and ensuring higher-quality ad placements.
  • PMPs effectively prevent a significant amount of malicious advertising that is prevalent in the open exchange.
  • The deal-making process involved in PMPs can introduce delays and result in higher costs due to the premium nature of the offerings.
  • PMPs have faced challenges in scaling to meet the needs of mid-level publishers and advertisers who prioritize cost and efficiency.
  • Despite these challenges, PMPs have been growing in popularity and have surpassed programmatic spending in recent years.